Fire in Dreamland and Bree

As part of the new works festival, tonight I saw Fire in Dreamland by Rinne Groff, starring Bree Elrod. Last Saturday as part of the festival I saw Michelle T. Johnson's play reading "Rights of Passage." A few months ago I had seen "Lot's Wife" while it was still in workshop. I am mixing everything together and it may not make sense, but, my overall point is that it is an amazing time to be part of Kansas City Theatre. There are new works being created and new works being accepted this season by the Unicorn as part of the National New Play Network. It is a place of creation, and if I may be so bold, it reminds me of the environment Mamet talks about in his book "Theatre" - everyone working together and creating for hours and hours, demanding perfection simply out of the sheer number of hours put in. It is incredible to watch new works be workshopped and born, to change and modify over time, and to watch actors develop their roles. It is glorious. And there is a wonderful group in Kansas City doing this. Right now. 

It was surreal watching Bree. I knew it would be, as I think the last time I saw her was 15 years ago in Harbach for Treacherous Journey. In the same creative vein of making and re-creating a work, actors put the hours and the time into their craft. She was always brilliant in college. Young 20s, we knew she had it. I still remember her acting this monologue where she had to pretend to act on the phone, her comedic timing was impeccable, a skill the rest of us took years to learn. As when I went on vacation to watch Kate Berry act, I had a little bit of sadness. For the past 15 years, they'd been continually working in theatre since school, while I'd put it away in a drawer since that's not something I thought I was allowed to do. I thought to myself, they've grown their craft over all these years, and I'm so behind. Look at how magnificent they are. 

Though the sadness is there from missed time, I've been working on making up for it since 2014, when I got a restart. Why are you always writing like you're running out of time. For some reason, I feel oddly competitive to those I went to school with and others in Kansas City. It is not a bitter jealousy of my 20s, or a stuck hopelessness of my 30s, but a woman nearing her 40s who knows there is a limit to time and how many stories you can create in one lifetime.

With this, let us all create new work. 

Our Town at KC REP

I normally don't review KC REP since I like to keep reviews to the smaller venues, but I have to talk about this one. 

I lost it while ushering, before it started. I overheard two parents tell their kids "I played the organist in my high school production" and another said "I wanted to play Emily but my friend Susie got the role." This play is a United States cultural phenomenon. Everyone has had to read it or act in it. (Myself included, I was the milk man.) 

This production brings it into modern dialogue, modern dress, and lighting just like what you'd see in a high school gym. The actors are wearing street clothes. This is exactly what our high school productions of Our Town felt like. Simple. No costumes. No accents. Horrible canned lighting. You can see the audience because it's in a gym. Absolutely nostalgic in the most insane way possible. 

Being able to see the audience across the stage was brilliant and also a killer. Couples, parents and kids, friends were all leaning into each other, whispering, and pointing out different parts of the play. This play is familiar to everyone in the audience and they are reminiscing with the show. I could hear a woman next to me whisper to her girlfriend "this is my favorite scene" when Emily and George started talking to each other through the windows. Then, she started to cry. An older gentleman right in the front row on the floor aisle had to take out a handkerchief to wipe his eyes. We were all absolutely losing it. 

The ending I can't reveal to you without ruining the surprise. They've done something amazing with it. You have to see this show. This is an event. The audience is 110% with the production, everyone is a mess because they love it, and the ending will absolutely slay you. 

Kcrep.org